maris – Putti

L’OFFICIEL 2018/08-09

maris — Wed, 05 Sep 2018 15:25:31 +0000

Laikmetīgo rotu izstāde/ konkurss “GIOIELLI IN FERMENTO’’

maris — Thu, 24 May 2018 12:59:21 +0000

2018. gada 13. maijā Itālijas pilsētā Caste San Giovanni villā Braghieri Albesani, Pjačenā tika atklāta starptautiska laikmetīgo rotu izstāde / konkurss “GIOIELLI IN FERMENTO” – Fermentācija rotās.

Villa Braghieri Albesani tika celta 17.gs. Baroka arhitektūras stilā līdz pat 18.gs. beigām. 1809. gadā villa tika pārdota Pietro Albesani, Pjačencas Krimināltiesas priekšsēdētājam. 1905. gadā villa piederēja Braghieri ģimenei. Carlo Braghieri, kurš bija ievērojams jurists, 1971. gadā novēlēja īpašumu Castel San Giovanni pašvaldības iestādei un 1996. gadā tā kļuva par kopējo īpašumu. Mūsdienās villā Braghieri Albesani ir muzejs un bibliotēka.

Projekts “Gioielli in Fermento” norisinās no 2011. gada un tas ir kļuvis par starptautisku projektu, kurā piedalās slaveni un savā specialitātē stabili rotu mākslinieki no visas pasaules un topošie rotu mākslinieki – studenti. Tā ir īstā “fermentācija” mākslas pasaulē – satricinājums, diskusija, emocijas.

Projekta iedvesams avots ir process, kurš sakņojas vīna darīšanas kultūrā un galvenā izstādes tēma ir vīns. To interpretē un analizē rotu māklsinieki savos darbos. Šī konkursa darbos svarīgi ir četri galvenie nosacījumi – koncepts, materiāli, mākslinieciskās izteiksmes veids un tehnika. Katru gadu darbus vērtē profesionāla un pieredzējusi žūrija.

Eliana Negroni ir projekta Gioielli in Fermento dibinātāja un kuratore. Viņa ir dzimusi Milānā, beigusi Milānas Universitāti un nodarbojas ar rūpniecisko dizainu. Pabeigusi arī someljēru kursus. Viņa ir Itālijas Laikmetīgo rotu asociācijas (AGC – Associazione Gioiello Contemproraneo) biedrs.

2018. gada žūriju pārstāvēja –
Roberta Bernabei (Loughborough University Apvienotajā Karalistē, pasniedzēja, pētniece, eseiste), Petra Hölscher (vecākā kuratore Die Neue Sammlung dizaina muzejā Minhenē, Vācijā), Angela Madesani (Accademia di Belle Arti di Brera, Milano e IED Istituto Europeo di Design, Milānā, Itālijā, profesore, mākslas vēsturniece, laikmetīgās mākslas un fotogrāfijas kuratore, eseiste), Maria Rosa Franzin (Associazione Gioiello Contemproraneo valdes priekšsēdētāja), Nichka Marobin (The Morning Bark dibinātāja, mākslas zinātniece, kolekcionāre), Giò Carbone (dibinātājs un direktors Le Arti Orafe Jewellery School & Academy),
Padomnieku konvents-
Roberta Bernabei (Loughborough University UK), Leo Caballero (Hannah Gallery, Barselona), Charon Kransen (Charon Kransen Arts, Ņujorka, Amerikas Savienotās Valstis), Gigi Mariani (zeltkalis, rotu mākslinieks, Modēna, Itālija), GianCarlo Montebello (BOMontebello, Milāna, Itālija), Paulo Ribeiro (direktors Joya Art Jewellery and Object, Barselonā, Spānijā).

Mākslas galerijā PUTTI no 2018. gada 7. septembra līdz 21. septembrim notiks laikmetīgajai rotai un vīnam veltīta starptautiska izstāde “Gioielli In Fermento: UN BEL PANORAMA”.

Laikmetīgās rotas izstādēs Minhenē – SCHMUCK 2018

maris — Wed, 14 Mar 2018 14:52:37 +0000

Šogad no 7. marta līdz 13. martam Minhenē notika ikgadējā Minhenes rotu nedēļa, kas sevī ietver vairākus pasākumus:

– SCHMUCK 2018 – vēsturiskā rotu izstāde, kura notiek no 1959. gada Minhenes izstāžu zālē Kunsthalle
– TALANTE – starptautisks jauno talantu konkurss rotu dizainā un tehnoloģijās
– dažādus notikumus Minhenes pilsētā

Šajā nedēļā vienkopus pulcējās, satikās, iepazinās, sadraudzējās rotu mākslinieki, galeristi, kolekcionāri, studenti, pasniedzēji, rotu valkātāji un šīs mākslas cienītāji no visas pasaules. Šīs nedēļas laikā visā Minhenē dažādās vietās notika rotu izstādes, diskusijas, performances, grāmatu prezentācijas un katru dienu noslēdza saviesīgi pasākumi. Kopumā bija noorganizēti apmēram 100 dažādi notikumi.

Neliels ieskats no rotu nedēļas pasākumiem:

Pastaiga 12/2016

maris — Fri, 06 Jan 2017 19:57:29 +0000

L’Officiel 12/2016

maris — Fri, 06 Jan 2017 19:51:04 +0000

Pastaiga 11/2016

maris — Sun, 06 Nov 2016 21:44:29 +0000

L’Officiel 11/2016

maris — Sat, 05 Nov 2016 17:57:52 +0000

L’Officiel 2016/10

maris — Wed, 05 Oct 2016 17:32:07 +0000

A recap of our experience in Munich Jewellery Week 2016

maris — Thu, 10 Mar 2016 13:56:41 +0000

Art gallery Putti was in Munich for a few days at the end of March. Munich Jewellery Week is a bundle of exhibitions and jewellery relate events that take place around the city centre for a week. Munich Jewellery Week runs concurrent with the annual Handwerk & Design expo where visitors are able to visit booths of many craftsmen and jewellery artists. It also hosts key exhibitions like Schmuck and Talente. Schmuck is a contemporary jewellery forum that enjoys a worldwide reputation as an international exhibition and it is the eldest exhibition of contemporary jewellery work in the world as it takes place since 1959. It combines works of established artists and promising newcomers in the area of contemporary jewellery design and is the meeting place for collectors, jewellery lovers and museum curators from Germany and abroad. This yearly happening in Munich is by far the most significant event on contemporary jewellery’s calendar, therefore Art gallery Putti has been going there for a few years already to meet with artists and other people within the industry, to find new interesting talents and to see all the beautiful jewellery that artists have created and curators have gathered and presented in interesting and engaging exhibitions. We want to thank Current Obsession for releasing the new edition of CURRENT OBSESSION PAPER with a complete guide to Munich Jewellery Week that helped us to create our own plan for the few days that we were there. Though, as always, it was quite difficult to choose which events to visit during the days we were in Munich.

We would like to highlight the best experiences we had (keep in mind that we saw only a part of all the events):

“The Meet” was a very interesting and engaging symposium organized by Art Jewelry Forum. We especially loved the first part where a panel of collectors discussed how curators select works for exhibitions, and how do museums decide to acquire them. The panel consisted of Susan Cummins, David Bielander, Liesbeth den Besten, and Petra Hölscher, the discussion was led by Benjamin Lignel. The discussion touched upon a few very interesting topics and we would love to hear a more elaborate opinions sometime in the future.
“Shelf life” displayed works by work by 33 makers, staff and students of Central Saint Martins, BA Jewellery Design course. There were some really special and interesting pieces. We loved an unusual take on jewellery, in form of video by Stacey Huang.
David Bielander was our favourite amongst all of the presentation we saw and visited during Munich Jewellery Week. His exhibition “Cashboards” was something truly special. The idea and ability that it takes to create jewellery from gold in a way that it looks like an effortless project made by light cardboard – this fascinated us.
“(IM)PRINT” presented works that addressed different interpretations of the acts of publishing. These works displayed different takes on the connection between the languages of jewellery typography, editing, producing. We saw some interesting perspectives on how humans perceive date and information they see.
The ladies from The Dialogue Collective did not disappoint with “The Royal Appointment”, as always. They simply have the ability to create an amazing atmosphere where the work is presented in a very beautiful and also engaging way. The importance of this cannot be stressed enough. They make sure that the visitors have the ability to discuss the theme of the presentation and each piece with its maker, simultaneously creating the feeling that nothing should be taken too seriously and the most important thing is to enjoy ourselves.
“American Gothic” established a display that lived up to its name – it had some truly American (beer pong!) and truly gothic elements. The display was a great back ground to the varied pieces that had some fresh ideas.
David Clarke and Bettina Speckner surprised us with the beauty and depth that we saw in the works as well as the presentation in the wonderful Galerie Christian Pixis. Speckner`s jewellery has such intricate details, polished to perfection. Each piece tells its own magical story. The works were presented on old, antique furniture pieces which helped to communicate the pieces excellently.
“Everyday Epics” in Kunstpavillon had gathered great artists with wonderful pieces. Again, we were struck by a different form of communicating the jewellery – this time it was an art work by Jing He – a photo of “Potential pin”. The trip made us think and discuss a lot about the boarders of jewellery where it meets different art forms.
“The Box” was a very interesting project that we were impatient to see. The creators sent the artists a box of selected objects – CDs, erasers, towels and envelopes. It was so interesting to see how the jewellery designers have tackled this task. We especially loved the works by Reka Lorincz, we are always surprised and amused by her ideas. This time she collaborated with her favourite artists from other fields of art, and the result was wonderful.

L’Officiel 11/2015

maris — Fri, 13 Nov 2015 11:38:05 +0000

Valdis Brože saņem „Lielā Kristapa” balvu

maris — Wed, 28 Oct 2015 14:52:46 +0000

Mākslas galerija Putti sveic latviešu laikmetīgo rotu mākslinieku Valdi Broži ar „Lielā Kristapa” balvas saņemšanu. Mākslinieks apbalvojumu ieguvis kopā ar igauņu mākslinieci Anu-Laura Tuttelberg nominācijā “Labākais animācijas filmas mākslinieks” par darbu pie animācijas filmas „Laiks iet”, kas radīta kopā ar režisoru Ivo Briedi 2015. gada sākumā.

Šī animācijas filma ir galvenais Valda Brožes iedvesmas avots viņa laikmetīgo rotu personālizstādei, kas norisināsies Mākslas galerijā Putti no 2015. gada 6. novembra līdz 24. novembrim. Animācijas filma „Laiks iet” ir skumji eksistenciāls un vienlaikus smeldzīgi skaists stāsts par laiku, kuru nevar apturēt, bet kurš aptur mūs. Tās varonis ir vecs vīrs, kurš pēc daudziem gadiem ir nolēmis pamest savu atmiņu cellei līdzīgo istabu, taču zudušā laika mirkļi to neatļauj. Atsviež atpakaļ. Veco vīru filmai ir radījis Valdis – sev raksturīgajā rotu dizaina stilistikā, izmantojot sudrabu un mamuta ilkni. Atzīstot, ka darbs pie šīs filmas savā ziņā izprovocējis viņu radīt izstādi it kā arī pašam par savu laiku. “Caur šo izstādi gribēju it kā pats uz sevi paraudzīties no malas, lai saprastu, kas ir tas, kurp šobrīd bīdos.”

Lielais Kristaps ir Latvijas kinofestivāls. Iedibināts 1977. gadā, kā ikgadēja labākās filmas apbalvošana, 1989. gadā tas kļūst par kinofestivālu. Kopš 2001. gada festivāls tiek rīkots ik pēc diviem gadiem, to rīko Latvijas Kinematogrāfistu savienība.

PASTAIGA – 11/2015

maris — Fri, 23 Oct 2015 09:31:38 +0000