Ung\u0101ru rotu m\u0101ksliniece R\u0112KA L\u0112RINCA (Reka Lorincz ) stud\u0113jusi Moholi Na\u0123 v\u0101rd\u0101 nosaukt\u0101s Lieti\u0161\u0137\u0101s m\u0101kslas universit\u0101t\u0113 (Moholy-Nagy M\u0171v\u00e9szeti Egyetemen) Budape\u0161t\u0101.
\n\u201eRotu dizains man\u0101 izpratn\u0113 ir \u0161odienas pasaules interpret\u0101cija, sava veida komunik\u0101cija starp \u0101r\u0113jo pasauli un manu iek\u0161\u0113jo pasauli \u2013 padarot neredzamo redzamu. Ar sav\u0101m rot\u0101m apl\u016bkoju sare\u017e\u0123\u012bto daudzveid\u012bbu m\u016bsu pasaul\u0113. Emociju un p\u0101rdomu g\u016bzmas str\u0101vo caur mani ar dabas impulsiem, kurus es izp\u0113tu un p\u0101rv\u0113r\u0161u objektos. Ar maniem objektiem es cen\u0161os atainot at\u0161\u0137ir\u012bbu starp to, kas tiek par\u0101d\u012bts un re\u0101lo pasauli \u2013 kas da\u017ereiz izskat\u0101s valdzino\u0161a, nepatiesa, pat b\u012bstama.\u201d
\nPast\u0101v da\u017e\u0101di mald\u012bgi priek\u0161stati ierastaj\u0101 izpratn\u0113 par to, kas ir rota, un k\u0101dai tai vajadz\u0113tu b\u016bt. Atrodoties uz robe\u017eas starp ki\u010du un pat\u0113ri\u0146a m\u0101kslu, R\u0113ka L\u0113rinca rada kr\u0101sainu kaleidoskopu, kas sast\u0101v no rot\u0101m, objektiem, instal\u0101cij\u0101m un video materi\u0101liem, ar kuru pal\u012bdz\u012bbu m\u0101ksliniece cen\u0161as defin\u0113t un izgaismot rotas jaun\u0101 \u2013 humoristisk\u0101, kritisk\u0101 un filozofisk\u0101 veid\u0101.<\/p>\n\n\n\n
R\u0113kas L\u0113rincas d\u0101rglietas sast\u0101v gan no materi\u0101liem, kurus tradicion\u0101li uzskata par v\u0113rt\u012bgiem, piem\u0113ram, d\u0101rgakme\u0146i, d\u0101rgmet\u0101li, p\u0113rles, gan materi\u0101liem, kuri pa\u0161ai m\u0101ksliniecei \u0161\u0137iet d\u0101rgi. T\u0101s ir lietas, kuras vi\u0146a vienk\u0101r\u0161i atrod, sa\u0146em k\u0101 d\u0101vanu vai nop\u0113rk \u201cblusu tirg\u016b\u201d. T\u0101s ir lietas, ko m\u0113s no pirm\u0101 acu uzmetiena uzskat\u012btu par bezv\u0113rt\u012bg\u0101m. Neskatoties uz to , R\u0113kas L\u0113rincas darbos \u0161\u012b opoz\u012bcija ir vienk\u0101r\u0161i nov\u0113rsta. Slota un p\u0113rles veido vienu veselumu, vienotu priek\u0161metu, tad nevis objekta v\u0113rt\u012bg\u0101 da\u013ca no\u0101rd\u0101s, bet gan tie\u0161i otr\u0101di, bezv\u0113rt\u012bgais k\u013c\u016bst daudz v\u0113rt\u012bg\u0101ks. Rekas m\u0101kslas darbi ir \u0101rk\u0101rt\u0113ji, jo mask\u0113t\u0101 rakstura d\u0113\u013c tie ne vienm\u0113r uzreiz atkl\u0101j to patieso un faktisko finansi\u0101lo v\u0113rt\u012bbu. Rotu rota\u013c\u012bg\u0101 izskata d\u0113\u013c skat\u012bt\u0101js, iesp\u0113jams s\u0101kotn\u0113ji pat nenojau\u0161, ka t\u0101s ir d\u0101rglietas. R\u0113kas objektu patiesais sp\u0113ks ir tie\u0161i tas, ka caur tiem vi\u0146a rada asociat\u012bvu pasauli, kas apvieno visus izteiksmes l\u012bdzek\u013cus, d\u0101rgmet\u0101lus, instrumentus, objektus, kuri nekad agr\u0101k nav biju\u0161i saist\u012bti. Un tas viss notiek tik dabiski, it k\u0101 tie vienm\u0113r biju\u0161i kop\u0101. \u0160\u012b sl\u0113pt\u0101 pasaule, kur\u0101 dimants un p\u0113rle iederas z\u0101\u013cu k\u0101rbi\u0146\u0101, kur slauc\u012b\u0161anas kust\u012bbu slotai papildina p\u0113r\u013cu kaudze. L\u012bdz\u012bgi k\u0101 sirre\u0101lism\u0101, kur objekti ir ar pievienot\u0101m v\u0113rt\u012bb\u0101m, kas uzkr\u0101ju\u0161\u0101s cilv\u0113ku slepenaj\u0101s fant\u0101zij\u0101s.<\/p>\n\n\n\n