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{"id":125947,"date":"2020-02-20T15:12:48","date_gmt":"2020-02-20T15:12:48","guid":{"rendered":"https:\/\/putti.lv\/?p=125947"},"modified":"2020-02-20T15:32:50","modified_gmt":"2020-02-20T15:32:50","slug":"annamaria-zanella-italija","status":"publish","type":"post","link":"https:\/\/legacy.putti.lv\/lv\/2020\/02\/20\/annamaria-zanella-italija\/","title":{"rendered":"ANNAMARIA ZANELLA, It\u0101lija"},"content":{"rendered":"\n

<\/p>\n\n\n\n

Foto: Wowe NY<\/figcaption><\/figure><\/div>\n\n\n\n
It\u0101\u013cu rotu m\u0101ksliniece ANNAMARIJA ZANELLA ir absolv\u0113jusi The Pietro Selvatico Institute of Padova juvelierizstr\u0101d\u0101jumu noda\u013cu 1985. gad\u0101. 1992. gad\u0101 m\u0101ksliniece ieguva diplomu t\u0113lniec\u012bb\u0101 Ven\u0113cijas M\u0101kslas akad\u0113mij\u0101.
\nVi\u0146a uzs\u0101ka person\u012bgos un m\u0101kslinieciskos mekl\u0113jumus laikmet\u012bgaj\u0101 rot\u0101, kad s\u0101ka str\u0101d\u0101t Padujas instit\u016bt\u0101 1987. gad\u0101.
\nPar rot\u0101m m\u0101ksliniece st\u0101sta, ka t\u0101s atspogu\u013co vi\u0146as dz\u012bves notikumus.
\n\u201cTo ir gr\u016bti izskaidrot, k\u0101 manas rotas rodas, bet noteikti sublim\u0101cij\u0101 ar apk\u0101rt\u0113jo vidi \u2013 da\u017ereiz\u2026absol\u016bt\u0101 tuk\u0161um\u0101, da\u017ereiz braucot pa lauku ce\u013cu uz m\u0101j\u0101m, es p\u0113k\u0161\u0146i pamanu Andrea Palladio (1508-1580) villu, vecas koka durvis \u0101rpus laika, lietu nomazg\u0101tus un v\u0113j\u0101 apbru\u017e\u0101tus rekl\u0101mas plak\u0101tus, vai kr\u0101sainus aug\u013cu grozus Padujas tirg\u016b, filmas, gr\u0101matas. Bet katrs s\u0101kums vienm\u0113r ir saist\u012bts ar z\u012bm\u0113jumu, skici vai teikumu uz baltas pap\u012bra lapas.\u201d
\nRot\u0101s tiek izmantoti \u201cd\u0101rgmet\u0101li \u201cun \u201cd\u0101rgakme\u0146i\u201d. Dzelzs, kas izskat\u0101s k\u0101 zelts, pap\u012brs, kas izskat\u0101s k\u0101 lazur\u012bts, alum\u012bnijs, kas izskat\u0101s k\u0101 j\u016bras s\u016bklis, \u0161\u0137elti stikla gabali\u0146i, kuriem ir t\u0101da pati gaisma un spo\u017eums k\u0101 d\u0101rgakme\u0146iem, plastik\u0101ts, plastmasa, stikls, dedzin\u0101ta koksne, da\u017e\u0101di pigmenti un oks\u012bdi. \u201cEs m\u012blu r\u016bsas kr\u0101su, bet zilo kr\u0101su uzskatu par p\u0101rpasaul\u012bgu. Zilo pigmentu ultramar\u012bnu es sagatavoju p\u0113c 14. gadsimta recept\u0113m.. \u013boti smalki sasmalcinot porcel\u0101na jav\u0101 un tad pievienoju dab\u012bg\u0101s saistvielas (olu dzeltenums, medus). \u0160\u012b ir sava veida kombin\u0113ta al\u0137\u012bmija starp m\u016bsdienu materi\u0101liem (t\u0113rauda audums, tit\u0101ns, dzelzs) un miner\u0101lu, kas atg\u0101dina debesu un j\u016bras dzi\u013cumu.\u201d
\nK\u0101 dzejnieks , kur\u0161 savas emocijas p\u0101rveido v\u0101rdos, t\u0113r\u0113jot visus sp\u0113kus, lai atrastu perfektu l\u012bdzsvaru dzej\u0101. M\u0101ksliniece rotai pie\u0161\u0137ir formu, kr\u0101su un funkcionalit\u0101ti, izmantojot visviegl\u0101kos materi\u0101lus \u2013 koku, plastmasu, alum\u012bniju, emalju, pigmentu.<\/p>\n\n\n\n
\u201c \u2026C\u0113la kr\u0101sa, skaista kr\u0101sa, perfekt\u0101k\u0101 no vis\u0101m kr\u0101s\u0101m\u2026\u201d t\u0101 15. gs. it\u0101\u013cu gleznot\u0101js Cennino Cennini sav\u0101 gr\u0101mat\u0101 IL LIBRO DELL\u2019 ARTE , kura sarakst\u012bta ap 1400. gadu, rakst\u012bja par ultramar\u012bnu, kas izgatavots no Lapis Lazuli pulvera. \u0160\u012b zil\u0101 kr\u0101sa ir transcendences un gar\u012bguma kr\u0101sa, ko daudzi m\u0101kslinieki izmanto l\u012bdz m\u016bsdien\u0101m, lai p\u0101rst\u0101v\u0113tu gar\u012bgo, skaistumu un cildenumu pat to abstraktaj\u0101s form\u0101s.
\u201cEs rad\u012bju darbus, kur zilais k\u013c\u016bst par pa\u0161u d\u0101rglietu.\u201d <\/p>\n\n\n\n
$\"\"$ <\/figure><\/div>\n\n\n\n
ZIL\u0100 SIRDS, 2015
Piespraude<\/p>\n\n\n\n
Darbs p\u0101rst\u0101v jaunu konceptu\u0101lu, abstraktu, metafizisku sirdi. Caurules, art\u0113rijas ir uzskat\u0101mas par m\u016bsu laika \u201cfiltru\u201d. Sirds zilais vieglums, \u0161is muskulis ir neaizst\u0101jams m\u016b\u017eam, tas klusu darbojas m\u016bsu \u0137ermen\u012b dienu no dienas.
Katrs \u0161\u012b abstrakt\u0101 zil\u0101 sirds elements veidots, izmantojot uguni, un katrs elements izmantojot recepti no renesanses gr\u0101matas, izskr\u0101sots zil\u0101 kr\u0101s\u0101 ar t\u012bru Lapis Lazuli pulveri.
Sadedzin\u0101ta termoplastmasa, Lapis Lazuli pulvera pigments, sve\u0137i, zelts. cm 9,5 x 6 x 2,5
Foto: DANIELA MARTIN<\/p>\n\n\n\n
<\/p>\n\n\n\n
\u201cKr\u0101sas ir emocijas. Es nevaru iedom\u0101ties rotaslietas bez kr\u0101s\u0101m, bez emaljas, bez pigmenta. Met\u0101la kr\u0101sa pati par sevi ir auksta, bet oksid\u0113ts dzelzs rada br\u012bni\u0161\u0137\u012bgu vienot\u012bbu un kr\u0101su kopumu. Es m\u012blu r\u016bsas kr\u0101su, bet zilo kr\u0101su uzskatu par p\u0101rpasaul\u012bgu. <\/p>\n\n\n\n
$\"\"$
VIOLET\u0100S CAURULES, piespraude, plastmasas caurules, sve\u0137i, zelts, akrils<\/figcaption><\/figure><\/li>
$\"\"$
M\u0112NESSGAISMA, piespraude, sudrabs, emalja, zelts<\/figcaption><\/figure><\/li>
$\"\"$
ORAN\u017dS, piespraude, alum\u012bnijs, zelts, sudrabs, emalja<\/figcaption><\/figure><\/li>
$\"\"$
DZINTARA ISTABA, piespraude, sudrabs, zelts, emalja, niello, dzintars<\/figcaption><\/figure><\/li>
$\"\"$
ZILAIS HAOSS, piespraude<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
M\u0101kslas darba idejas att\u012bst\u012bba ir ilgs iek\u0161\u0113js process, kas reflekt\u0113jas p\u0113k\u0161\u0146i – piln\u012bg\u0101 klusum\u0101, manas domas un saj\u016btas un viss kas ir man\u0101 galv\u0101 sastrukturiz\u0113jas. Es skic\u0113ju, z\u012bm\u0113ju, pierakstu un da\u017e\u0101d\u0101m pap\u012bra lapi\u0146\u0101m, kas da\u017ek\u0101rt izskat\u0101s p\u0113c haosa, bet no \u0161\u012bm dom\u0101m rodas kolekcija.<\/p>\n\n\n\n
$\"\"$
CELTICA ROSSA, piespraude<\/figcaption><\/figure><\/li>
$\"\"$
ZA\u013bAIS CUKURS, kaklarota, alum\u012bnijs, stikls, smiltis, sudrabs, zelts, magn\u0113ti, sve\u0137i<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
$\"\"$
Annamarias Zanellas person\u0101lizst\u0101de
\u201cTRA MATERIA E COLORI\/ STARP MATERI\u0100LU UN KR\u0100SU\u201d
It\u0101lijas pils\u0113t\u0101 Paduj\u0101, San Rocco Oratorij\u0101 2019. gad\u0101.<\/figcaption><\/figure><\/div>\n\n\n\n
$\"\"$
GR\u0100MATAS “THE POETRY OF MATERIAL” V\u0100KS, ARNOLDSCHE<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"
It\u0101\u013cu rotu m\u0101ksliniece ANNAMARIJA ZANELLA ir absolv\u0113jusi The Pietro Selvatico Institute of Padova juvelierizstr\u0101d\u0101jumu noda\u013cu 1985. gad\u0101. 1992. gad\u0101 m\u0101ksliniece ieguva diplomu t\u0113lniec\u012bb\u0101 Ven\u0113cijas M\u0101kslas akad\u0113mij\u0101. Vi\u0146a uzs\u0101ka person\u012bgos un […]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/posts\/125947"}],"collection":[{"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/comments?post=125947"}],"version-history":[{"count":0,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/posts\/125947\/revisions"}],"wp:attachment":[{"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/media?parent=125947"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/categories?post=125947"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/tags?post=125947"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

Foto: Wowe NY<\/figcaption><\/figure><\/div>\n\n\n\n
It\u0101\u013cu rotu m\u0101ksliniece ANNAMARIJA ZANELLA ir absolv\u0113jusi The Pietro Selvatico Institute of Padova juvelierizstr\u0101d\u0101jumu noda\u013cu 1985. gad\u0101. 1992. gad\u0101 m\u0101ksliniece ieguva diplomu t\u0113lniec\u012bb\u0101 Ven\u0113cijas M\u0101kslas akad\u0113mij\u0101.
\nVi\u0146a uzs\u0101ka person\u012bgos un m\u0101kslinieciskos mekl\u0113jumus laikmet\u012bgaj\u0101 rot\u0101, kad s\u0101ka str\u0101d\u0101t Padujas instit\u016bt\u0101 1987. gad\u0101.
\nPar rot\u0101m m\u0101ksliniece st\u0101sta, ka t\u0101s atspogu\u013co vi\u0146as dz\u012bves notikumus.
\n\u201cTo ir gr\u016bti izskaidrot, k\u0101 manas rotas rodas, bet noteikti sublim\u0101cij\u0101 ar apk\u0101rt\u0113jo vidi \u2013 da\u017ereiz\u2026absol\u016bt\u0101 tuk\u0161um\u0101, da\u017ereiz braucot pa lauku ce\u013cu uz m\u0101j\u0101m, es p\u0113k\u0161\u0146i pamanu Andrea Palladio (1508-1580) villu, vecas koka durvis \u0101rpus laika, lietu nomazg\u0101tus un v\u0113j\u0101 apbru\u017e\u0101tus rekl\u0101mas plak\u0101tus, vai kr\u0101sainus aug\u013cu grozus Padujas tirg\u016b, filmas, gr\u0101matas. Bet katrs s\u0101kums vienm\u0113r ir saist\u012bts ar z\u012bm\u0113jumu, skici vai teikumu uz baltas pap\u012bra lapas.\u201d
\nRot\u0101s tiek izmantoti \u201cd\u0101rgmet\u0101li \u201cun \u201cd\u0101rgakme\u0146i\u201d. Dzelzs, kas izskat\u0101s k\u0101 zelts, pap\u012brs, kas izskat\u0101s k\u0101 lazur\u012bts, alum\u012bnijs, kas izskat\u0101s k\u0101 j\u016bras s\u016bklis, \u0161\u0137elti stikla gabali\u0146i, kuriem ir t\u0101da pati gaisma un spo\u017eums k\u0101 d\u0101rgakme\u0146iem, plastik\u0101ts, plastmasa, stikls, dedzin\u0101ta koksne, da\u017e\u0101di pigmenti un oks\u012bdi. \u201cEs m\u012blu r\u016bsas kr\u0101su, bet zilo kr\u0101su uzskatu par p\u0101rpasaul\u012bgu. Zilo pigmentu ultramar\u012bnu es sagatavoju p\u0113c 14. gadsimta recept\u0113m.. \u013boti smalki sasmalcinot porcel\u0101na jav\u0101 un tad pievienoju dab\u012bg\u0101s saistvielas (olu dzeltenums, medus). \u0160\u012b ir sava veida kombin\u0113ta al\u0137\u012bmija starp m\u016bsdienu materi\u0101liem (t\u0113rauda audums, tit\u0101ns, dzelzs) un miner\u0101lu, kas atg\u0101dina debesu un j\u016bras dzi\u013cumu.\u201d
\nK\u0101 dzejnieks , kur\u0161 savas emocijas p\u0101rveido v\u0101rdos, t\u0113r\u0113jot visus sp\u0113kus, lai atrastu perfektu l\u012bdzsvaru dzej\u0101. M\u0101ksliniece rotai pie\u0161\u0137ir formu, kr\u0101su un funkcionalit\u0101ti, izmantojot visviegl\u0101kos materi\u0101lus \u2013 koku, plastmasu, alum\u012bniju, emalju, pigmentu.<\/p>\n\n\n\n
\u201c \u2026C\u0113la kr\u0101sa, skaista kr\u0101sa, perfekt\u0101k\u0101 no vis\u0101m kr\u0101s\u0101m\u2026\u201d t\u0101 15. gs. it\u0101\u013cu gleznot\u0101js Cennino Cennini sav\u0101 gr\u0101mat\u0101 IL LIBRO DELL\u2019 ARTE , kura sarakst\u012bta ap 1400. gadu, rakst\u012bja par ultramar\u012bnu, kas izgatavots no Lapis Lazuli pulvera. \u0160\u012b zil\u0101 kr\u0101sa ir transcendences un gar\u012bguma kr\u0101sa, ko daudzi m\u0101kslinieki izmanto l\u012bdz m\u016bsdien\u0101m, lai p\u0101rst\u0101v\u0113tu gar\u012bgo, skaistumu un cildenumu pat to abstraktaj\u0101s form\u0101s.
\u201cEs rad\u012bju darbus, kur zilais k\u013c\u016bst par pa\u0161u d\u0101rglietu.\u201d <\/p>\n\n\n\n
$\"\"$ <\/figure><\/div>\n\n\n\n
ZIL\u0100 SIRDS, 2015
Piespraude<\/p>\n\n\n\n
Darbs p\u0101rst\u0101v jaunu konceptu\u0101lu, abstraktu, metafizisku sirdi. Caurules, art\u0113rijas ir uzskat\u0101mas par m\u016bsu laika \u201cfiltru\u201d. Sirds zilais vieglums, \u0161is muskulis ir neaizst\u0101jams m\u016b\u017eam, tas klusu darbojas m\u016bsu \u0137ermen\u012b dienu no dienas.
Katrs \u0161\u012b abstrakt\u0101 zil\u0101 sirds elements veidots, izmantojot uguni, un katrs elements izmantojot recepti no renesanses gr\u0101matas, izskr\u0101sots zil\u0101 kr\u0101s\u0101 ar t\u012bru Lapis Lazuli pulveri.
Sadedzin\u0101ta termoplastmasa, Lapis Lazuli pulvera pigments, sve\u0137i, zelts. cm 9,5 x 6 x 2,5
Foto: DANIELA MARTIN<\/p>\n\n\n\n
<\/p>\n\n\n\n
\u201cKr\u0101sas ir emocijas. Es nevaru iedom\u0101ties rotaslietas bez kr\u0101s\u0101m, bez emaljas, bez pigmenta. Met\u0101la kr\u0101sa pati par sevi ir auksta, bet oksid\u0113ts dzelzs rada br\u012bni\u0161\u0137\u012bgu vienot\u012bbu un kr\u0101su kopumu. Es m\u012blu r\u016bsas kr\u0101su, bet zilo kr\u0101su uzskatu par p\u0101rpasaul\u012bgu. <\/p>\n\n\n\n
$\"\"$
VIOLET\u0100S CAURULES, piespraude, plastmasas caurules, sve\u0137i, zelts, akrils<\/figcaption><\/figure><\/li>
$\"\"$
M\u0112NESSGAISMA, piespraude, sudrabs, emalja, zelts<\/figcaption><\/figure><\/li>
$\"\"$
ORAN\u017dS, piespraude, alum\u012bnijs, zelts, sudrabs, emalja<\/figcaption><\/figure><\/li>
$\"\"$
DZINTARA ISTABA, piespraude, sudrabs, zelts, emalja, niello, dzintars<\/figcaption><\/figure><\/li>
$\"\"$
ZILAIS HAOSS, piespraude<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
M\u0101kslas darba idejas att\u012bst\u012bba ir ilgs iek\u0161\u0113js process, kas reflekt\u0113jas p\u0113k\u0161\u0146i – piln\u012bg\u0101 klusum\u0101, manas domas un saj\u016btas un viss kas ir man\u0101 galv\u0101 sastrukturiz\u0113jas. Es skic\u0113ju, z\u012bm\u0113ju, pierakstu un da\u017e\u0101d\u0101m pap\u012bra lapi\u0146\u0101m, kas da\u017ek\u0101rt izskat\u0101s p\u0113c haosa, bet no \u0161\u012bm dom\u0101m rodas kolekcija.<\/p>\n\n\n\n
$\"\"$
CELTICA ROSSA, piespraude<\/figcaption><\/figure><\/li>
$\"\"$
ZA\u013bAIS CUKURS, kaklarota, alum\u012bnijs, stikls, smiltis, sudrabs, zelts, magn\u0113ti, sve\u0137i<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
$\"\"$
Annamarias Zanellas person\u0101lizst\u0101de
\u201cTRA MATERIA E COLORI\/ STARP MATERI\u0100LU UN KR\u0100SU\u201d
It\u0101lijas pils\u0113t\u0101 Paduj\u0101, San Rocco Oratorij\u0101 2019. gad\u0101.<\/figcaption><\/figure><\/div>\n\n\n\n
$\"\"$
GR\u0100MATAS “THE POETRY OF MATERIAL” V\u0100KS, ARNOLDSCHE<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"
It\u0101\u013cu rotu m\u0101ksliniece ANNAMARIJA ZANELLA ir absolv\u0113jusi The Pietro Selvatico Institute of Padova juvelierizstr\u0101d\u0101jumu noda\u013cu 1985. gad\u0101. 1992. gad\u0101 m\u0101ksliniece ieguva diplomu t\u0113lniec\u012bb\u0101 Ven\u0113cijas M\u0101kslas akad\u0113mij\u0101. Vi\u0146a uzs\u0101ka person\u012bgos un […]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/posts\/125947"}],"collection":[{"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/comments?post=125947"}],"version-history":[{"count":0,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/posts\/125947\/revisions"}],"wp:attachment":[{"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/media?parent=125947"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/categories?post=125947"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/tags?post=125947"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}