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{"id":79259,"date":"2019-03-26T11:57:47","date_gmt":"2019-03-26T11:57:47","guid":{"rendered":"https:\/\/putti.lv\/?p=79259"},"modified":"2019-10-03T08:38:20","modified_gmt":"2019-10-03T08:38:20","slug":"minhenes-rotu-nedelas-apskats","status":"publish","type":"post","link":"https:\/\/legacy.putti.lv\/lv\/2019\/03\/26\/minhenes-rotu-nedelas-apskats\/","title":{"rendered":"Minhenes Rotu Ned\u0113\u013cas apskats"},"content":{"rendered":"\n

Piespraude no Agitas Put\u0101nes person\u012bg\u0101s kolekcijas
Piespraudes autore: Reka Lorincz <\/p>\n\n\n\n

Ielidojot Minhen\u0113 m\u016bs sagaida pamat\u012bgs v\u0113j\u0161 un lietus. Tas nedaudz saboj\u0101 omu, jo skrie\u0161ana no vienas izst\u0101des vietas uz otru T\u0101d\u0101 laik\u0101 nav tik pat\u012bkama. Bet nav v\u0113rts dusmoties uz liet\u0101m, ko nevar main\u012bt. <\/p>\n\n\n\n

Esmu nol\u0113musi apmekl\u0113t 30 izst\u0101des 2 dien\u0101s. Man ir tr\u012bs m\u0113r\u0137i :<\/p>\n\n\n\n

1. atrast m\u0101ksliniekus, kuru darbi ieder\u0113tos man\u0101 galerij\u0101 un projektos<\/p>\n\n\n\n

2. redz\u0113t lieliskas izst\u0101des (darbi, scenogr\u0101fija, atmosf\u0113ra )<\/p>\n\n\n\n

3. satikt draugus ( m\u0101ksliniekus, galeristus), pas\u0113d\u0113t vakar\u0101 restor\u0101n\u0101 un pa\u010dalot par \u0161o un to<\/p>\n\n\n\n

SCHMUCK 2019<\/h2>\n\n\n\n
Nol\u0113mu s\u0101kt ar MESSE MUNCHEN apmekl\u0113jumu, kur\u0101 var apskat\u012bt SCHMUCK 2019 izst\u0101di. Uzreiz biju nol\u0113musi veidot report\u0101\u017eu par \u0161o izst\u0101di. V\u0113l\u0113jos report\u0101\u017eu ievietot visos soci\u0101lajos t\u012bklos, lai t\u0101 sabiedr\u012bbas da\u013ca, kura savos uzskatos, ide\u0101los un dz\u012bves stila paradumos turpina b\u016bt konservat\u012bva, iepaz\u012bstos ar laikmet\u012bg\u0101s rotas izaicin\u0101jumu SCHMUCK 2019 un attiec\u012bgaj\u0101m laikmet\u012bgo rotu galerij\u0101m pasaul\u0113. <\/p>\n\n\n\n
Nopirku bi\u013ceti, lab\u0101 noska\u0146ojum\u0101 devos uz izst\u0101di, s\u0101ku p\u0113t\u012bt, iz\u0146\u0113mu no somi\u0146as telefonu, lai fotograf\u0113tu, kad pie manis pien\u0101ca divi \u201ccerberi\u201d un aizr\u0101d\u012bja, ka nedr\u012bkst fotograf\u0113t. Paliku k\u0101 ar \u016bdeni aplieta. Uz neilgu laiku lik\u0101s, ka esmu nok\u013cuvusi 20. gadsimt\u0101 vai padomju laikos, kad neko nedr\u012bkst\u0113ja. Tas liek man aizdom\u0101ties par SHMUCK lomu visp\u0101r un laikmet\u012bgaj\u0101 rotu lauk\u0101, laikmet\u0101, kur diezgan lielu teritoriju okup\u0113ju\u0161i tehnolo\u0123iskie statusa simboli \u2013 aifoni, aipadi, gad\u017eeti. K\u0101da tad SCHMUCK visp\u0101r ir noz\u012bme, ja par \u0161o notikumu zina tikai rotu lauk\u0101 darbojo\u0161ies person\u0101\u017ei, kuri viens otru labi paz\u012bst. \u0100rpus iez\u012bm\u0113t\u0101s teritorijas robe\u017e\u0101m par \u0161o notikumu zina \u0161aurs pulci\u0146\u0161 piel\u016bdz\u0113ju. \u0160is nosac\u012btais \u201c v\u0101r\u012b\u0161an\u0101s sav\u0101 sul\u0101\u201d jau sen ir viena no \u0161\u012bs ni\u0161as liel\u0101kaj\u0101m probl\u0113m\u0101m. Man t\u0101 \u012bsti nav saprotams, k\u0101p\u0113c t\u0101ds notikums ir vajadz\u012bgs, ja manas galerijas apmekl\u0113t\u0101jiem, rotu pirc\u0113jiem tas ir neko neizsako\u0161s. <\/p>\n\n\n\n
Tom\u0113r ne\u013c\u0101vos noskumt, apskat\u012bju izst\u0101di un devos apskat\u012bt ko izst\u0101d\u012bju\u0161as citas galerijas. <\/p>\n\n\n\n
Galerija PLATINA <\/strong>(Stokholma, Zviedrija ) k\u0101 vienm\u0113r nelika vilties. Galerijas kolekcija bija lieliska, jo galerijas kolekcijas darbi vienm\u0113r noturas uz robe\u017eas, l\u012bdz kurai rotaslieta var atk\u0101pties no iepriek\u0161\u0113jiem stereotipiem un joproj\u0101m var klasific\u0113ties k\u0101 rotaslieta. Lieliska atmosf\u0113ra.<\/p>\n\n\n\n
www.platina.se<\/p>\n\n\n\n
$\"\"$
PLATINA<\/figcaption><\/figure><\/li>
$\"\"$
ARTEMIS VALSAMAKI<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
V\u0113l grib\u0113tu atz\u012bm\u0113t izst\u0101di \u2013 JOYA , kur ar lielu degsmi saimniekoja Paulo Ribeiro. Patika izst\u0101des atrakt\u012bvais noform\u0113jums un kolekcija.<\/p>\n\n\n\n
www.joyabarcelona.com<\/p>\n\n\n\n
$\"\"$ <\/figure><\/li>
$\"\"$
PAULO RIBEIRO<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
T\u0101l\u0101k devos uz pils\u0113tas centru, lai turpin\u0101tu svar\u012bg\u0101ko ce\u013cojuma da\u013cu – MJW. <\/p>\n\n\n\n
Es pietur\u0113\u0161os pie teiciena, ka \u201c vajag skat\u012bties, kas pat\u012bk un maz\u0101k kritiz\u0113t kaut ko, kas nepat\u012bk\u201d. T\u0101p\u0113c atz\u012bm\u0113\u0161u t\u0101s izst\u0101des, kuras vienk\u0101r\u0161i patika, kuras provoc\u0113ja uz dialogu un kuras pa\u0123\u0113r\u0113ja zin\u0101mu iedzi\u013cin\u0101\u0161anos. <\/p>\n\n\n\n
\u201c POPEYE LOVES OLIVE\u201d<\/strong><\/li><\/ol>\n\n\n\n
$\"This$
ERATO KOULOUBI, “COPYCATS I”, pasta, akrils, bronza, pigments<\/figcaption><\/figure><\/div>\n\n\n\n
$\"\"$
ERATO KOULOUBI<\/figcaption><\/figure><\/li>
$\"\"$
ARTEMIS VALSAMAKI<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
2. “NUDA VITA THE PRACTICE OF COLLECTIVE AND POLITICAL BODY”<\/strong><\/p>\n\n\n\n
$\"\"$ <\/figure><\/li>
$\"\"$ <\/figure><\/li><\/ul>\n\n\n\n
$\"\"$ <\/figure><\/li>
$\"\"$
DANIEL RAMOS OBREGON, COLOMBIA, Brooch, koks, mati, sudrbs 925, <\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
Var\u0113tu to nosaukt par ROTU 2019. <\/p>\n\n\n\n
Galeriste Olga Temnikova ir viena no Tallinas m\u0101kslas galerijas \u201c Temnikova & Kasela\u201d dibin\u0101t\u0101j\u0101m. P\u0113c viz\u012btes pie Igaunijas prezidenta internets burtiski uzspr\u0101ga diskut\u0113jot par vi\u0146as n\u0113s\u0101to rotu. Rotas autors ir Tanel Veenre. \u0160\u012b rota MJW bija Monas Lizas status\u0101, tikai \u017e\u0113l, ka t\u0101 tika ekspon\u0113ta vienk\u0101r\u0161i noliekot uz palodzes. <\/p>\n\n\n\n
https:\/\/elu24.postimees.ee\/4026599\/kurioosum-kuidas-tolgendada-olga-temnikova-kunstiparast-vastuvotu-aksessuaari<\/a><\/p>\n\n\n\n
https:\/\/elu24.postimees.ee\/4030505\/ei-olegi-dildo-olga-temnikova-kaelaehteks-on-hoopis<\/a><\/p>\n\n\n\n
$\"This$
TANEL VEENRE<\/figcaption><\/figure><\/div>\n\n\n\n
\ufeff3. OVERREACTING & \u201c LAND MARKS\u201d <\/strong><\/p>\n\n\n\n
Jewellery Speaks Feminism and Gender<\/p>\n\n\n\n
Nesp\u0113ju “iebraukt” m\u016bsdienu Feminisma kust\u012bbas aktualit\u0101t\u0113, bet \u0161\u012b izst\u0101de mani \u013coti uzrun\u0101ja. Gan izst\u0101des iek\u0101rtojums, gan darbi, gan jaunie, atrakt\u012bvie m\u0101kslinieki, gan tur valdo\u0161\u0101 atmosf\u0113ra bija nedaudz ar hulig\u0101niskiem impulsiem, bet taj\u0101 pa\u0161\u0101 laik\u0101 k\u0101 tilts starp int\u012bmo iek\u0161\u0113jo pasauli un publisko telpu.<\/p>\n\n\n\n
$\"\"$ <\/figure><\/li> $\"\"$
YOTAM BAHAT, “WILL BE A DADDY”<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
$\"\"$
KATIA RABEY, “FEMALE MASTURBATION”<\/figcaption><\/figure><\/li>
$\"\"$
RILL GREENFIELD, “BOOBISM”<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
4. \u201c IODEOMATIC \u2013 JEWELLERY CONVERSATION BETWEEN FRANCE AND GERMANY\u2019<\/strong><\/p>\n\n\n\n
Saj\u016bta rad\u0101s, ka m\u0101ksla dz\u012bvo tikai m\u0101kslai. M\u0101kslinieks no Francijas kaut ko \u013coti gudru st\u0101sta m\u0101ksliniekam no V\u0101cijas. Man, k\u0101 skat\u012bt\u0101jam, kur\u0161 noskr\u0113jies garus gabalus pa Minhenes iel\u0101m, nosalis, izlijis, no \u0161\u012bs komunik\u0101cijas nav pozit\u012bva pienesuma. 1. st\u0101va izst\u0101d\u0113 darbi bija interesanti. <\/p>\n\n\n\n
$\"\"$
PIA GROH<\/figcaption><\/figure><\/li>
$\"\"$ <\/figure><\/li><\/ul>\n\n\n\n
\ufeff5. \u201c CLEAR CURVES \u201d<\/strong><\/p>\n\n\n\n
– Diseldorfas Lieti\u0161\u0137\u0101s m\u0101kslas un dizaina augstskolas studenti no lieti\u0161\u0137\u0101s m\u0101kslas un dizaina noda\u013cas.<\/p>\n\n\n\n
www.hs-duesseldorf.de\ufeff<\/a><\/p>\n\n\n\n
V\u0113l\u0113jos uzsv\u0113rt izst\u0101des iek\u0101rtojumu, jo telpai, dizaina deta\u013c\u0101m, tekstiem un rot\u0101m ir j\u0101b\u016bt perfekt\u0101 mijiedarb\u012bb\u0101, jo tas ietekm\u0113 m\u016bsu saj\u016btas.<\/p>\n\n\n\n
$\"\"$ <\/figure><\/li>
$\"\"$ <\/figure><\/li><\/ul>\n\n\n\n
$\"\"$ <\/figure><\/li>
$\"\"$ <\/figure><\/li><\/ul>\n\n\n\n
\ufeff6. \u201c TRAP\u201d<\/strong><\/p>\n\n\n\n
Izst\u0101de, kur m\u0101kslinieki izc\u0113la vienu no laikmet\u012bg\u0101s rotas virsuzdevumiem – izcelt rotas n\u0113s\u0101t\u0101ju.<\/p>\n\n\n\n
$\"This$ <\/figure><\/div>\n\n\n\n
$\"\"$
FUMUKI TAGUCHI<\/figcaption><\/figure><\/li>
$\"\"$ <\/figure><\/li><\/ul>\n\n\n\n
\ufeff7. \u201c INFLUENCES\u201d<\/strong><\/p>\n\n\n\n
M\u0113s visi paz\u012bstam saj\u016btas, kad ieejot izst\u0101d\u0113, uzrun\u0101 k\u0101ds m\u0101kslinieka darbs. Un liekas, cik tas ir br\u012bni\u0161\u0137\u012bgi. \u0160aj\u0101 izst\u0101d\u0113 mani uzrun\u0101ja visi darbi. Un \u0161\u0101dos br\u012b\u017eos man rodas saj\u016bta, ka v\u0113los, lai \u0161ie darbi pieder man.<\/p>\n\n\n\n
$\"\"$ <\/figure><\/li>
$\"\"$
CORRADO DE MEO<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
$\"\"$
MARIA ROSA FRANZIN<\/figcaption><\/figure><\/li>
$\"\"$ <\/figure><\/li><\/ul>\n\n\n\n
$\"\"$ <\/figure><\/li>
$\"\"$
GIGI MARIANI<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
\ufeff8. ALEXANDER BLANK<\/strong><\/p>\n\n\n\n
Visi \u0161aj\u0101 telp\u0101 tiek m\u012b\u013ci aicin\u0101ti ! T\u0101 domas t\u012br\u012bba, rotu valodas t\u012br\u012bba ir v\u0113rt\u012bbas, p\u0113c kuras m\u0113s tiecamies, kuras atceramies, kad nekas vairs nep\u0101rsteidz.<\/p>\n\n\n\n
$\"\"$ <\/figure><\/li>
$\"\"$ <\/figure><\/li><\/ul>\n\n\n\n
9. \u201cFABRICATE\u201d \ufeff<\/strong><\/p>\n\n\n\n
–<\/strong>Centr\u0101l\u0101s Saint Martins BA juvelierizstr\u0101d\u0101jumu dizaina kursa, studenti<\/p>\n\n\n\n
K\u0101 katru gadu, \u0161\u012bs izst\u0101des mani nekad nav piev\u012blu\u0161as. T\u0101s man ir k\u0101 punkts uz i. \u0160o studentu rotas ir lieliski pa\u0161izpausmes instrumenti, savu “es\u201d papildino\u0161i faktori. Es tr\u0101p\u012bju tie\u0161i uz atkl\u0101\u0161anu, bija liela dr\u016bzma, bet es nesp\u0113ju vien beigt baud\u012bt, visu ko es tur redz\u0113ju, dzird\u0113ju, izjutu. Rotaslietas bija k\u0101 komunik\u0101cijas platforma, vizu\u0101lais valodas instruments un nebeidzams fant\u0101zijas iemiesojums \u2013 nosac\u012btos praktiskuma un komerci\u0101los aspektus uz mirkli atb\u012bdot otraj\u0101 pl\u0101n\u0101. <\/p>\n\n\n\n
https:\/\/klimt02.net\/events\/exhibitions\/fabricate-vitsoe<\/a><\/p>\n\n\n\n
$\"\"$
LEAI LEE LE ER, “CATCH OF THE DAY”<\/figcaption><\/figure><\/li>
$\"\"$
MARIA MILITSI, “BULLDOG CLIP”<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
$\"\"$
JOARLA CARIDAD, “LOVE NOT PORN BROOCH”<\/figcaption><\/figure><\/li>
$\"\"$ <\/figure><\/li><\/ul>\n\n\n\n
$\"\"$
EVE LAM, “LOOK AT ME, ONCE MORE”<\/figcaption><\/figure><\/li>
$\"\"$
EVE LAM<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
$\"\"$ <\/figure><\/li>
$\"\"$ <\/figure><\/li><\/ul>\n\n\n\n
Agita<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"
Piespraude no Agitas Put\u0101nes person\u012bg\u0101s kolekcijasPiespraudes autore: Reka Lorincz Ielidojot Minhen\u0113 m\u016bs sagaida pamat\u012bgs v\u0113j\u0161 un lietus. Tas nedaudz saboj\u0101 omu, jo skrie\u0161ana no vienas izst\u0101des vietas uz otru T\u0101d\u0101 […]<\/p>\n","protected":false},"author":5,"featured_media":103067,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37,57,60],"tags":[],"_links":{"self":[{"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/posts\/79259"}],"collection":[{"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/comments?post=79259"}],"version-history":[{"count":0,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/posts\/79259\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/media\/103067"}],"wp:attachment":[{"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/media?parent=79259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/categories?post=79259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/tags?post=79259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}