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{"id":97657,"date":"2019-07-26T13:05:28","date_gmt":"2019-07-26T13:05:28","guid":{"rendered":"https:\/\/putti.lv\/?p=97657"},"modified":"2019-10-03T08:29:50","modified_gmt":"2019-10-03T08:29:50","slug":"annamaria-zanella-ra-materia-e-colori-vairak-krasas","status":"publish","type":"post","link":"https:\/\/legacy.putti.lv\/lv\/2019\/07\/26\/annamaria-zanella-ra-materia-e-colori-vairak-krasas\/","title":{"rendered":"ANNAMARIA ZANELLA \u201cTRA MATERIA E COLORE\/ STARP MATERI\u0100LU UN KR\u0100SU\u201d"},"content":{"rendered":"\n

It\u0101lijas laikmet\u012bgo rotu m\u0101ksliniece ANNAMARIA ZANELLA<\/h3>\n\n\n\n
$\"\"$ <\/figure><\/div>\n\n\n\n
It\u0101lijas Laikmet\u012bgo rotu m\u0101kslinieces ANNAMARIJAS ZANELLAS izst\u0101di<\/p>\n\n\n\n

\u201cTRA MATERIA E COLORE\/ STARP MATERI\u0100LU UN KR\u0100SU<\/strong>\u201d<\/h3>\n\n\n\n

var\u0113ja apskat\u012bt It\u0101lijas pils\u0113t\u0101 Paduj\u0101, San Rocco Oratorij\u0101.
M\u0101kslinieces laikmet\u012bg\u0101 rotu m\u0101ksla un 16. gadsimta freskas, kas attaino San Rocco dz\u012bvi, lieliski viens otru papildina.<\/p>\n\n\n\n
$\"\"$ <\/figure><\/div>\n\n\n\n
$\"\"$ <\/figure><\/li>
$\"\"$ <\/figure><\/li><\/ul>\n\n\n\n
Annemarija Zanella dzimusi Paduj\u0101, It\u0101lij\u0101,\n1966. gad\u0101, savu person\u012bgo un m\u0101ksliniecisko darb\u012bbu uzs\u0101ka Selvatico\nT\u0113lot\u0101jm\u0101kslas instit\u016bt\u0101 Paduj\u0101 1987. gad\u0101. <\/p>\n\n\n\n
Ideja par juvielierm\u0101kslu rad\u0101s k\u0101 nepiecie\u0161am\u012bba komunik\u0101cijai ar \u0101rpasauli – manas rotas atspogu\u013co manas dz\u012bves notikumus. <\/p><\/blockquote>\n\n\n\n
$\"\"$

Piespraude NAKTS KARALIENE
Sudrabs, var\u0161, oksid\u0113ts sudrabs, zelts, pigments, sve\u0137i <\/figcaption><\/figure><\/div>\n\n\n\n
Es piefiks\u0113ju spilgt\u0101kos notikumus, l\u012bdz\u012bgi k\u0101 fotogr\u0101fi to dara. Manas emocijas, domas un piedz\u012bvotais ir izkristaliz\u0113jies manis rad\u012btaj\u0101s rot\u0101s. Emocijas rodas no cilv\u0113kiem, ko es satieku, no ce\u013cojumiem, no zi\u0146\u0101m, ko es izlasu av\u012bz\u0113, no gr\u0101mat\u0101m\u2026viss transform\u0113jas manu m\u0101kslas darbu form\u0101s un kr\u0101s\u0101s.<\/p><\/blockquote>\n\n\n\n
$\"\"$
Piespraude ISEO (pils\u0113ta It\u0101lij\u0101)
Sudrabs, oksid\u0113ts sudrabs, l\u0113ca, plastmasas audums (gabali\u0146\u0161 no m\u0101kslinieku Christo<\/em> un Jeanne-Cloude<\/em> peldo\u0161\u0101 mola), zelts, akrils
https:\/\/christojeanneclaude.net\/projects\/the-floating-piers<\/a> <\/figcaption><\/figure><\/div>\n\n\n\n
Annamaria Zanella rotu pasaul\u0113 tiek d\u0113v\u0113ta par d\u0101rgakmeni. Katrs darbs izst\u0101d\u0113 ir k\u0101 m\u0101kslinieces person\u012bg\u0101 dz\u012bves lapa, kur\u0101 m\u0101kslinieces rado\u0161ums ekspon\u0113jas izmantojot t\u0101dus materi\u0101lus, k\u0101 dzelzs, plastik\u0101ts, plastmasa, stikls, dedzin\u0101ta koksne, da\u017e\u0101di pigmenti un oks\u012bdi. <\/p>\n\n\n\n
$\"\"$
Piespraude \u0136ELTU SARKANAIS
Alum\u012bnijs, zelts, sudrabs, rub\u012bni, stikla smiltis, emalja, akrils <\/figcaption><\/figure><\/div>\n\n\n\n
$\"\"$
Piespraude ORAN\u017dS
Alum\u012bnijs, zelts, sudrabs, emalja <\/figcaption><\/figure><\/div>\n\n\n\n
Rot\u0101s tiek izmantoti \u201cd\u0101rgmet\u0101li \u201cun \u201cd\u0101rgakme\u0146i\u201d. Dzelzs, kas izskat\u0101s k\u0101 zelts, pap\u012brs, kas izskat\u0101s k\u0101 lazur\u012bts, alum\u012bnijs, kas izskat\u0101s k\u0101 j\u016bras s\u016bklis, \u0161\u0137elti stikla gabali\u0146i, kuriem ir t\u0101da pati gaisma un spo\u017eums k\u0101 d\u0101rgakme\u0146iem.<\/p>\n\n\n\n
$\"\"$
Kaklarota ZA\u013bAIS CUKURS
Alum\u012bnijs, stikls, smiltis, sudrabs, zelts, magn\u0113ti, sve\u0137i <\/figcaption><\/figure><\/div>\n\n\n\n
$\"\"$
Piespraude DZINTARA ISTABA
Sudrabs, zelts, emalja, oksid\u0113ts sudrabs, dzintars <\/figcaption><\/figure><\/div>\n\n\n\n
To ir gr\u016bti izskaidrot, k\u0101 manas rotas rodas, bet noteikti sublim\u0101cij\u0101 ar apk\u0101rt\u0113jo vidi \u2013 da\u017ereiz\u2026absol\u016bt\u0101 tuk\u0161um\u0101, da\u017ereiz braucot pa lauku ce\u013cu uz m\u0101j\u0101m, es p\u0113k\u0161\u0146i pamanu Andrea Palladio (1508-1580) villu, vecas koka durvis \u0101rpus laika, lietu nomazg\u0101tus un v\u0113j\u0101 apbru\u017e\u0101tus rekl\u0101mas plak\u0101tus, vai kr\u0101sainus aug\u013cu grozus Padujas tirg\u016b, filmas, gr\u0101matas. Bet katrs s\u0101kums vienm\u0113r ir saist\u012bts ar z\u012bm\u0113jumu, skici vai teikumu uz baltas pap\u012bra lapas.<\/p><\/blockquote>\n\n\n\n
$\"\"$
Piespraude M\u0112NESS GAISMA
Sudrabs, emalja, zelts <\/figcaption><\/figure><\/div>\n\n\n\n
M\u0101kslas darba idejas att\u012bst\u012bba ir ilgs iek\u0161\u0113js process, kas reflekt\u0113jas p\u0113k\u0161\u0146i – piln\u012bg\u0101 klusum\u0101, manas domas un saj\u016btas un viss kas ir man\u0101 galv\u0101 sastrukturiz\u0113jas. Es skic\u0113ju, z\u012bm\u0113ju, pierakstu un da\u017e\u0101d\u0101m pap\u012bra lapi\u0146\u0101m, kas da\u017ek\u0101rt izskat\u0101s p\u0113c haosa, bet no \u0161\u012bm dom\u0101m rodas kolekcija.<\/p><\/blockquote>\n\n\n\n
$\"\"$
Piespraude LILL\u0100 TRUBAS
Plastmasas trubas, lapis lazuli (zilais pigments , ko ieg\u016bst no lazur\u012bta), sve\u0137i, zelts, akrils <\/figcaption><\/figure><\/div>\n\n\n\n
Kr\u0101sas ir emocijas. Es nevaru iedom\u0101ties rotaslietas bez kr\u0101s\u0101m, bez emaljas, bez pigmenta. Met\u0101la kr\u0101sa pati par sevi ir auksta, bet oksid\u0113ts dzelzs rada br\u012bni\u0161\u0137\u012bgu vienot\u012bbu un kr\u0101su kopumu. Es m\u012blu r\u016bsas kr\u0101su, bet zilo kr\u0101su uzskatu par p\u0101rpasaul\u012bgu. Zilo pigmentu ultramar\u012bnu es sagatavoju p\u0113c 14. gadsimta recept\u0113m.. \u013boti smalki sasmalcinot porcel\u0101na jav\u0101 un tad pievienoju dab\u012bg\u0101s saistvielas (olu dzeltenums, medus). \u0160\u012b ir sava veida kombin\u0113ta al\u0137\u012bmija starp m\u016bsdienu materi\u0101liem (t\u0113rauda audums, tit\u0101ns, dzelzs) un miner\u0101lu, kas atg\u0101dina debesu un j\u016bras dzi\u013cumu.<\/p><\/blockquote>\n\n\n\n
$\"\"$
Piespraude ZILAIS KOKS
Papier–<\/strong>m\u00e2ch\u00e9, zelts, sve\u0137i, lapis lazuli<\/em> (zilais pigments , ko ieg\u016bst no lazur\u012bta) <\/figcaption><\/figure><\/div>\n\n\n\n
$\"\"$
Piespraude ZILAIS AKMENS
Kor\u0137a koks, lapis lazuli<\/em> (zilais pigments , ko ieg\u016bst no lazur\u012bta)
akrils, dzelzs, zelts, sudrabs <\/figcaption><\/figure><\/div>\n\n\n\n
$\"\"$
Aproce KORALLIS
Sudrabs, PVC, akrils, magn\u0113ts <\/figcaption><\/figure><\/div>\n\n\n\n
<\/p>\n\n\n\n
$\"\"$
Piespraude PIEST\u0100TNE
Sudrabs, zelts, Plexiglas, emalja, smiltis, sve\u0137i <\/figcaption><\/figure><\/div>\n\n\n\n
M\u0101kslinieces rotaslietas nevar pieskait\u012bt\nklasiskajai izrot\u0101\u0161anas teorijai \u2013 est\u0113tika, kas nav gludi nopul\u0113ts 2X2.<\/p>\n\n\n\n
Da\u017eas no rot\u0101m ir provokat\u012bvas, da\u017eas ir skaistas, da\u017eas dod milz\u012bgu ener\u0123iju. To galvenais uzdevums nav izrot\u0101t \u0137ermeni – m\u0101ksliniece aicina iedzi\u013cin\u0101ties un veidot dialogu\/ komunik\u0101ciju, gan valk\u0101t\u0101jam un rotai savstarp\u0113ji, gan valk\u0101t\u0101jam un skat\u012bt\u0101jam.<\/p>\n\n\n\n
$\"\"$
Gredzens ZILAIS HAOSS
Tit\u0101ns, koks, lapis lazuli<\/em> (zilais pigments , ko ieg\u016bst no lazur\u012bta) <\/figcaption><\/figure><\/div>\n\n\n\n
Annemaria Zanella absolv\u0113jusi \u201cIstituto Statale d’Arte \u201cPietro Selvatico\u201d met\u0101la un juvelierizstr\u0101d\u0101jumu kadedr\u0101. M\u0101c\u012bjusies t\u0113lniec\u012bbu Fachhochschule f\u00fcr Gestaltung Pforzheimas Universit\u0101t\u0113 un skulpt\u016bru Ven\u0113cijas M\u0101kslas akad\u0113mij\u0101.<\/p>\n\n\n\n
$\"\"$ <\/figure><\/div>\n\n\n\n
$\"\"$ <\/figure><\/div>\n\n\n\n
Agita<\/p>\n","protected":false},"excerpt":{"rendered":"
It\u0101lijas laikmet\u012bgo rotu m\u0101ksliniece ANNAMARIA ZANELLA It\u0101lijas Laikmet\u012bgo rotu m\u0101kslinieces ANNAMARIJAS ZANELLAS izst\u0101di \u201cTRA MATERIA E COLORE\/ STARP MATERI\u0100LU UN KR\u0100SU\u201d var\u0113ja apskat\u012bt It\u0101lijas pils\u0113t\u0101 Paduj\u0101, San Rocco Oratorij\u0101. M\u0101kslinieces […]<\/p>\n","protected":false},"author":5,"featured_media":103063,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57],"tags":[],"_links":{"self":[{"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/posts\/97657"}],"collection":[{"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/comments?post=97657"}],"version-history":[{"count":0,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/posts\/97657\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/media\/103063"}],"wp:attachment":[{"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/media?parent=97657"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/categories?post=97657"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/legacy.putti.lv\/lv\/wp-json\/wp\/v2\/tags?post=97657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}