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{"id":79365,"date":"2019-03-26T12:22:03","date_gmt":"2019-03-26T12:22:03","guid":{"rendered":"https:\/\/putti.lv\/?p=79365"},"modified":"2019-10-03T08:37:30","modified_gmt":"2019-10-03T08:37:30","slug":"munich-jewellery-week-review","status":"publish","type":"post","link":"https:\/\/legacy.putti.lv\/ru\/2019\/03\/26\/munich-jewellery-week-review\/","title":{"rendered":"Munich Jewellery Week review"},"content":{"rendered":"\n

Brooch from Agita Put\u0101ne personal collection.
Brooch author: Reka Lorincz <\/p>\n\n\n\n

Arriving at Munich strong wind and rain greets us. It is a bit mood killer, because running from one exhibition to other isn\u2019t so enjoyable in this kind of weather. But it\u2019s not worth being angry with things you can\u2019t change. <\/p>\n\n\n\n

I have decided to visit 30 exhibitions in 2 days and I have\nthree goals:<\/p>\n\n\n\n

Find artists whose works fit into my gallery and projects<\/li>
See great exhibitions (artworks, scenography, atmosphere)<\/li>
Meet friends (artists, gallerists), in evening go to restaurant with them and chatter about this and that.<\/li><\/ol>\n\n\n\n
SCHMUCK 2019<\/h2>\n\n\n\n
I decided to start with a visit to the MESSE MUNCHEN, where\nThe SCHMUCK 2019 exhibition can be seen. I already had decided to report on\nthis exhibition. I wanted to put the report on all social networks so that the\npublic that continues to be conservative in their views, ideals and lifestyle\nhabits could meet the contemporary jewellery challenge of SCHMUCK 2019 and the\nrelevant contemporary galleries in the world. <\/p>\n\n\n\n
I bought the ticket and went to the exhibition in good mood,\nbegan to explore, took the phone out of my purse to take pictures when two\n\u201ccarberi\u201d came up to me and said I couldn\u2019t take pictures. It was like a bolt\nfrom the blue! For a short time, it seemed that I had entered the 20^{th<\/sup>\ncentury or the Soviet times, when nothing could be done. It makes me wonder\nabout the role of SCHMUCK in the contemporary jewellery field, in an era where\ntechnological status symbols \u2013 iphone, ipad, gadgets \u2013 have occupied quite a\nlarge area. <\/p>\n\n\n\n}
What\u2019s the meaning of SCHMUCK then, if only artists, who\nknow each other well, working in the field of jewellery are familiar with this\nevent? Beyond the boundaries of the marked area, a narrow group of admirers\nknow about this event. This conditional \u201cliving in its own bubble\u201d has long\nbeen one of the biggest problems in the niche. I really do not understand why such\nan event is necessary if it says nothing to my gallery visitors, jewellery\nbuyers. <\/p>\n\n\n\n
However, I did not dare to shake off, so I looked at the\nexhibition and went to see what other galleries had exhibited.<\/p>\n\n\n\n
The Gallery PLATINA (Stockholm, Sweden) did not disappoint.\nThe gallery\u2019s collection was great because the gallery\u2019s collection works\nalways hang on the border until which jewellery can retreat from previous\nstereotypes and can still classify as a jewellery. Great atmosphere.<\/p>\n\n\n\n
www.platina.se<\/a><\/p>\n\n\n\n
- $\"\"$
  PLATINA<\/figcaption><\/figure><\/li>
  $\"\"$
  ARTEMIS VALSAMAKI<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
  I would also like to mention the exhibition \u2013 JOYA, where\nPaulo Ribeiro was holding great fervor. I liked the attractive design and\ncollection of the exhibition.<\/p>\n\n\n\n
  www.joyabarcelona.com<\/p>\n\n\n\n
  $\"\"$ <\/figure><\/li>
  $\"\"$
  PAULO RIBEIRO<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
  Next I went to the city center\nto continue the most important part of the journey \u2013 MJW. <\/p>\n\n\n\n
  I\u2019ll stick to the saying that\n\u201cone needs to watch what likes and less criticize something that does not\nlike\u201d. So I\u2019ll mark those exhibitions I just liked, provoked by dialogue and\ndressed up with some sort of delusion.<\/p>\n\n\n\n
  1.\u201c POPEYE LOVES OLIVE\u201d<\/strong><\/p>\n\n\n\n
  $\"\"$
  ERATO KOULOUBI, “COPYCATS I”, Pasta, acrylics, bronze, pigments <\/figcaption><\/figure><\/div>\n\n\n\n
  $\"\"$
  ERATO KOULOUBI<\/figcaption><\/figure><\/li>
  $\"\"$
  ARTEMIS VALSAMAKI<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
  2. NUDA\nVITA THE PRACTICE OF COLLECTIVE AND POLITICAL BODY<\/strong><\/p>\n\n\n\n
  $\"\"$ <\/figure><\/li>
  $\"\"$ <\/figure><\/li><\/ul>\n\n\n\n
  $\"\"$ <\/figure><\/li>
  $\"\"$
  DANIEL RAMOS OBREGON, COLOMBIA BROOCH, curvewood, natural hair, 950 silver<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
  This could be called \u2013 JEWELLERY\nof 2019.<\/p>\n\n\n\n
  Gallerist Olga Temnikova is one\nof the founders of the Tallinn\u2019s art gallery \u201cTemnikova & Kasela\u201d. After a\nvisit to the President of Estonia, the internet literally exploded into a\ndiscussions about her necklace. The author of the jewellery is Tanel Veenre.\nThis piece of jewellery of MJW was in status of Mona Lisa, just a pity it was\nexposed by simply putting it on the windowsill. <\/p>\n\n\n\n
  https:\/\/elu24.postimees.ee\/4026599\/kurioosum-kuidas-tolgendada-olga-temnikova-kunstiparast-vastuvotu-aksessuaari<\/a><\/p>\n\n\n\n
  https:\/\/elu24.postimees.ee\/4030505\/ei-olegi-dildo-olga-temnikova-kaelaehteks-on-hoopis<\/a><\/p>\n\n\n\n
  $\"\"$
  TANEL VEENRE
  <\/figcaption><\/figure><\/div>\n\n\n\n
  3.\nOVERREACTING & \u201c LAND MARKS\u201d <\/strong><\/p>\n\n\n\n
  Jewellery Speaks Feminism and Gender<\/p>\n\n\n\n
  I am unable to enter the topicality of the Feminism movement today, but this exhibition addressed me very much. Both the design of the exhibition and the works and the young, attractive artists and the atmosphere in it were somewhat of hooligan impulses, but at the same time as a bridge between the intimate inner world and public space.<\/p>\n\n\n\n
  $\"\"$ <\/figure><\/li> $\"\"$
  YOTAM BAHAT, “WILL BE A DADDY”<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
  $\"\"$
  KATIA RABEY, “FEMALE MASTURMATION”<\/figcaption><\/figure><\/li>
  $\"\"$
  RILL GREENFIELD, “BOOBISM”<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
  4. \u201c\nIODEOMATIC \u2013 JEWELLERY CONVERSATION BETWEEN FRANCE AND GERMANY\u2019<\/strong><\/p>\n\n\n\n
  I got a feeling that art only lives for art. An artist from France tells something very smart to an artist from Germany. As a viewer running long down the streets of Munich, frozen and dripping, there is no positive contribution from this communication. Works on the 1^{st<\/sup> floor exhibition were interesting.<\/p>\n\n\n\n}
  $\"\"$
  PIA GROH<\/figcaption><\/figure><\/li>
  $\"\"$ <\/figure><\/li><\/ul>\n\n\n\n
  5. \u201c CLEAR CURVES “<\/strong><\/p>\n\n\n\n
  \u2013 students from the Applied Art\nand Design Department, University of Applied Sciences Dusseldorf<\/p>\n\n\n\n
  www.hs-duesseldorf.de<\/a><\/p>\n\n\n\n
  I wanted to highlight the arrangement of the exhibition, because the room, design details, texts must be in perfect interaction with the jewellery, because it affects our feelings.<\/p>\n\n\n\n
  $\"\"$ <\/figure><\/li>
  $\"\"$ <\/figure><\/li><\/ul>\n\n\n\n
  $\"\"$
  BERU INOU<\/figcaption><\/figure><\/li>
  $\"\"$
  KONSTANZE PRECHTL<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
  6. \u201c TRAP\u201d<\/strong><\/p>\n\n\n\n
  An exhibition where the artists highlighted one of the top tasks of the contemporary jewellery \u2013 to highlight the carrier of the jewellery. <\/p>\n\n\n\n
  $\"\"$ <\/figure><\/div>\n\n\n\n
  $\"\"$
  FUMUKI TAGUCHI<\/figcaption><\/figure><\/li>
  $\"\"$ <\/figure><\/li><\/ul>\n\n\n\n
  7. \u201c\nINFLUENCES\u201d<\/strong><\/p>\n\n\n\n
  We all know the feeling when you enter the exhibition and the artwork speaks to you. And the feeling is wonderful. All the works addressed me at this exhibition. And at such moments I get the feeling that I want these works to belong to me.<\/p>\n\n\n\n
  $\"\"$ <\/figure><\/li>
  $\"\"$
  CORRADO DE MEO<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
  $\"\"$
  MARIA ROSA FRANZIN<\/figcaption><\/figure><\/li>
  $\"\"$ <\/figure><\/li><\/ul>\n\n\n\n
  $\"\"$ <\/figure><\/li>
  $\"\"$
  GIGI MARIANI<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
  8.\nALEXANDER BLANK<\/strong><\/p>\n\n\n\n
  Everyone was kindly invited to this room! The purity of the thought, the purity of the ornamental language are the values that we aspire to, which we remember when nothing surprises.<\/p>\n\n\n\n
  $\"\"$ <\/figure><\/li>
  $\"\"$ <\/figure><\/li><\/ul>\n\n\n\n
  9. \u201cFABRICATE\u201d <\/strong><\/p>\n\n\n\n
  -students of the Central Saint Martins BA Jewellery Design course<\/strong><\/p>\n\n\n\n
  As every year, these exhibitions\nhave never failed me. They are like a dot on i. These students\u2019 jewellery are excellent\nself-expression tools, complementary to their \u201cself\u201d. I happened to go there at\nthe moment of the exhibition opening, there was a big crowd, but everything I\nsaw, heard and felt there, I just couldn\u2019t stop enjoying. The jewellery was\nlike a communication platform, a visual language tool and an endless fantasy\nincarnation \u2013 conditional practicality and commercial aspects were shifted to\nthe second plan for a moment.<\/p>\n\n\n\n
  https:\/\/klimt02.net\/events\/exhibitions\/fabricate-vitsoe<\/a><\/p>\n\n\n\n
  $\"\"$
  LEIA LEE LE ER, “CATCH OF THE DAY”<\/figcaption><\/figure><\/li>
  $\"\"$
  MARIA MILITSI, “BULLDOG CLIP”<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
  $\"\"$
  JOARLA CARIDAD, “LOVE NOT PORN BROOCH”<\/figcaption><\/figure><\/li>
  $\"\"$ <\/figure><\/li><\/ul>\n\n\n\n
  $\"\"$
  EVE LAM, “LOOK AT ME, ONCE MORE”<\/figcaption><\/figure><\/li>
  $\"\"$
  EVE LAM<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n
  $\"\"$ <\/figure><\/li>
  $\"\"$ <\/figure><\/li><\/ul>\n\n\n\n
  Agita<\/p>\n","protected":false},"excerpt":{"rendered":"
  Brooch from Agita Put\u0101ne personal collection.Brooch author: Reka Lorincz Arriving at Munich strong wind and rain greets us. It is a bit mood killer, because running from one exhibition to […]<\/p>\n","protected":false},"author":5,"featured_media":103066,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[],"_links":{"self":[{"href":"https:\/\/legacy.putti.lv\/ru\/wp-json\/wp\/v2\/posts\/79365"}],"collection":[{"href":"https:\/\/legacy.putti.lv\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/legacy.putti.lv\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/legacy.putti.lv\/ru\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/legacy.putti.lv\/ru\/wp-json\/wp\/v2\/comments?post=79365"}],"version-history":[{"count":0,"href":"https:\/\/legacy.putti.lv\/ru\/wp-json\/wp\/v2\/posts\/79365\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/legacy.putti.lv\/ru\/wp-json\/wp\/v2\/media\/103066"}],"wp:attachment":[{"href":"https:\/\/legacy.putti.lv\/ru\/wp-json\/wp\/v2\/media?parent=79365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/legacy.putti.lv\/ru\/wp-json\/wp\/v2\/categories?post=79365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/legacy.putti.lv\/ru\/wp-json\/wp\/v2\/tags?post=79365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}